1 00:00:09,710 --> 00:00:12,250 Yes, Miss Luna will pass me by, though please. 2 00:00:14,150 --> 00:00:15,970 Yes, can you come over here for a moment? 3 00:00:16,510 --> 00:00:17,750 As soon as possible, thank you. 4 00:00:25,830 --> 00:00:27,970 Good morning. Ah, please, have a seat. 5 00:00:30,650 --> 00:00:34,730 So, I wanted to explain them in two words. 6 00:00:35,310 --> 00:00:36,310 I know... 7 00:00:36,650 --> 00:00:40,550 Luna is a hard worker and is very attentive to art. 8 00:00:40,810 --> 00:00:45,590 In fact, he is working for a art magazine for more than four years. 9 00:00:46,090 --> 00:00:48,850 Finally, he received the news that they had waited. 10 00:01:06,640 --> 00:01:13,380 And now there are emerging painters who are quite successful, 11 00:01:13,380 --> 00:01:17,840 apart from those who are now part of it of history, from Andy Warhol to others. 12 00:01:18,880 --> 00:01:24,800 Let's say she should take care of about a month of these painters, go them 13 00:01:24,800 --> 00:01:29,100 to interview, attend some show, let's do a bit of public display 14 00:01:29,100 --> 00:01:34,920 relations, things like that. If they may be of interest. 15 00:01:35,320 --> 00:01:38,700 Yes, I'm very interested, fascinated from all this. 16 00:01:38,920 --> 00:01:43,320 Well, then I would also say that they are articles quite interesting, they compel 17 00:01:43,320 --> 00:01:47,800 even to a certain intelligence, to a certain preparation of journalists. 18 00:01:48,380 --> 00:01:53,080 In short, they are not the ones who make them classic pink interviews or 19 00:01:53,080 --> 00:01:57,520 scandalous that definitely not they increase the thickness of the at all 20 00:01:57,520 --> 00:02:04,380 professionalism I would say 21 00:02:04,380 --> 00:02:11,220 however that however she knows that in life to do 22 00:02:11,220 --> 00:02:17,320 career you have to try for a moment give 23 00:02:18,070 --> 00:02:22,330 Something to have another. She this you know, right? 24 00:02:23,090 --> 00:02:27,670 Look, in order to do this job, I'm willing to do anything. 25 00:02:27,930 --> 00:02:29,830 I'm certainly not looking back. 26 00:02:30,930 --> 00:02:35,970 But to be successful in your job, a Sometimes it is necessary to arrive at a 27 00:02:35,970 --> 00:02:40,250 compromise. You have to be willing to do everything to achieve your goal. 28 00:02:40,370 --> 00:02:42,210 I'm not saying everything, but almost. 29 00:02:42,450 --> 00:02:46,230 Surely she will have a good future. 30 00:03:44,000 --> 00:03:47,100 Oh miss, I think I'll have one done beautiful career. 31 00:03:47,640 --> 00:03:48,700 Come on, keep going. 32 00:03:49,000 --> 00:03:50,000 Go ahead. 33 00:04:09,200 --> 00:04:14,720 Yes, miss, me for about an hour I wouldn't want to be disturbed, because I have 34 00:04:14,720 --> 00:04:19,300 of urgent things to do, of practices, I wouldn't want... Okay, 35 00:04:19,360 --> 00:04:20,360 thanks. 36 00:04:22,760 --> 00:04:23,820 Here we are. 37 00:04:51,060 --> 00:04:53,900 I do not know. 38 00:05:33,370 --> 00:05:37,830 Don't think badly of me, young lady. Lo I do it for his good. Of course. 39 00:05:44,750 --> 00:05:45,830 A beautiful pussy. 40 00:05:47,890 --> 00:05:50,570 Young. Scented. 41 00:05:51,270 --> 00:05:53,070 Of soap. 42 00:05:55,370 --> 00:05:57,090 She's beautiful. 43 00:06:22,790 --> 00:06:27,370 oh oh oh 44 00:06:54,710 --> 00:06:56,110 Oh! 45 00:08:05,480 --> 00:08:06,399 Do you like it? 46 00:08:06,400 --> 00:08:07,400 Yes. 47 00:08:07,740 --> 00:08:09,000 I see it. 48 00:08:59,940 --> 00:09:01,240 how well he takes it 49 00:09:26,230 --> 00:09:27,630 Thanks. 50 00:10:35,020 --> 00:10:39,480 Here is the start of the service. Okay, right, miss? Certain. 51 00:10:39,740 --> 00:10:43,960 If he continues like this, he will really make a exceptional service. 52 00:10:56,820 --> 00:11:00,600 All right, director. 53 00:11:00,860 --> 00:11:01,860 That's fine. 54 00:12:28,460 --> 00:12:29,920 So, come on, smile for a moment. 55 00:12:30,220 --> 00:12:31,900 That's it, good, good. 56 00:12:32,240 --> 00:12:37,020 Perfect. You have to do what I say. Don't take initiative. The important thing is 57 00:12:37,020 --> 00:12:38,020 this. 58 00:12:38,860 --> 00:12:40,280 Let's go to bowls. 59 00:12:40,600 --> 00:12:42,620 Hold your ground. Here, good. 60 00:12:42,840 --> 00:12:46,160 Perfect. Pump her for a moment because I'm big. 61 00:12:51,960 --> 00:12:52,960 Stop. 62 00:12:53,600 --> 00:12:54,600 Who is? 63 00:12:56,040 --> 00:12:57,040 After you. 64 00:12:58,860 --> 00:13:00,200 Good evening. Good evening, tell me. 65 00:13:00,460 --> 00:13:03,580 I'm a journalist, remember? There we met at the exhibition. 66 00:13:03,940 --> 00:13:05,760 I came to do the interview. 67 00:13:06,000 --> 00:13:07,920 No, I don't remember much. How much long ago? 68 00:13:08,160 --> 00:13:10,000 This is the first painter to interview. 69 00:13:10,300 --> 00:13:13,340 You have to admit that he is just a little bit strange. 70 00:13:13,660 --> 00:13:16,860 But you know, artists are always extravagant. 71 00:13:18,120 --> 00:13:21,820 Luna is there to know about his technique and his pictorial heart. 72 00:13:30,240 --> 00:13:34,280 Shut up because otherwise the models they get nervous. Yes, they talk 73 00:13:34,280 --> 00:13:39,360 too. I don't talk much, I am a bit of a guy... But she's enough for me 74 00:13:39,360 --> 00:13:44,560 look, get an idea, then judge from it alone. I don't have to convince her of anything. 75 00:13:44,580 --> 00:13:49,200 He likes paintings a lot and he knows it too her, right? Yes, certainly. My exhibitions go 76 00:13:49,200 --> 00:13:50,200 good. 77 00:13:50,620 --> 00:13:51,740 Meanwhile, do you like this? 78 00:13:52,350 --> 00:13:54,370 Yes, very particular. How do you model? 79 00:13:55,450 --> 00:13:58,370 What do you think of these two models? Very, very beautiful, wonderful. Who is he 80 00:13:58,370 --> 00:14:01,890 what do you prefer? Her, definitely. Me I prefer him, for sure. 81 00:14:02,590 --> 00:14:05,030 Look at that beautiful round head he has, what a nice big head. 82 00:14:10,390 --> 00:14:11,810 Now let's add some yellow. 83 00:14:12,410 --> 00:14:15,430 Where's the yellow? Where did I put it? Not I never find anything. 84 00:14:16,070 --> 00:14:18,530 We make the boobs orange. 85 00:14:20,790 --> 00:14:21,789 Vivid colours. 86 00:14:21,790 --> 00:14:22,910 Like me. Isn't that so? 87 00:14:24,230 --> 00:14:25,230 Here you are. 88 00:14:25,830 --> 00:14:26,830 This is fine. 89 00:14:29,330 --> 00:14:33,210 But what would that head there be? It is the big boss. He doesn't see that it's the 90 00:14:33,210 --> 00:14:37,370 big boss? I told her something for the its colors. I would have put a nice one 91 00:14:37,370 --> 00:14:39,730 turquoise. Instead she made them hot. At that time? 92 00:14:40,230 --> 00:14:45,410 I mean, I don't... It's just... It comes from the heart everything I do. It's innate in me 93 00:14:45,410 --> 00:14:46,089 painting. 94 00:14:46,090 --> 00:14:48,210 Don't you see how... Look at these brush strokes. 95 00:14:49,590 --> 00:14:50,590 Don't you see it? 96 00:14:50,910 --> 00:14:52,790 This is art, see? 97 00:14:53,210 --> 00:14:56,710 Look, look, but look. 98 00:14:58,910 --> 00:15:03,950 You see, then I like drawing boobs, pussies, asses, all those things, ha 99 00:15:03,950 --> 00:15:07,830 understood? Tits, pussies, asses, cocks, everything what concerns sex. 100 00:15:08,190 --> 00:15:09,190 Tell me. 101 00:15:09,610 --> 00:15:10,950 I don't answer her. 102 00:15:12,210 --> 00:15:14,910 Oh well, whatever you want, anyway. 103 00:15:18,090 --> 00:15:19,610 Look at the lips I make for you. 104 00:15:20,000 --> 00:15:21,040 Look at those lips. 105 00:15:21,720 --> 00:15:26,980 Look. Beautiful, red, tough. Look. You do they like them? 106 00:15:27,200 --> 00:15:31,040 Here you are. But you like them because they are red or because they are big? 107 00:15:31,640 --> 00:15:33,560 Because they are red. Oh. 108 00:15:35,840 --> 00:15:36,840 You see? 109 00:15:37,440 --> 00:15:38,700 Beautiful like that. 110 00:15:39,100 --> 00:15:40,740 Big redheads like that. 111 00:15:41,460 --> 00:15:42,460 He's aggressive. 112 00:15:43,680 --> 00:15:47,900 Now I make two beautiful black balls. 113 00:15:48,650 --> 00:15:52,170 You know the black balls? 114 00:15:52,770 --> 00:15:54,670 See how expressive they are? 115 00:15:56,210 --> 00:15:58,170 Blacks. Do you see it? 116 00:16:01,030 --> 00:16:03,330 This is him. 117 00:16:03,950 --> 00:16:05,190 This is him. 118 00:16:05,470 --> 00:16:06,470 Finished. 119 00:16:09,890 --> 00:16:12,450 Really unusual art, isn't it? 120 00:16:13,830 --> 00:16:18,170 Anyway, Luna now knows everything necessary to write the article. 121 00:16:25,070 --> 00:16:26,070 Handsome? 122 00:16:26,530 --> 00:16:27,530 Do you like it? 123 00:16:28,010 --> 00:16:29,990 Did you see how well you came out? 124 00:16:31,210 --> 00:16:32,210 This is beautiful. 125 00:16:34,090 --> 00:16:35,630 We put it here. 126 00:16:37,910 --> 00:16:41,450 Maybe it's better here that you can't see it. 127 00:16:44,790 --> 00:16:45,790 That's it. 128 00:16:45,890 --> 00:16:46,990 Let's change position. 129 00:16:48,169 --> 00:16:51,090 Let's start with another painting. Come on guys, come on. 130 00:16:51,390 --> 00:16:52,390 On. 131 00:16:53,130 --> 00:16:54,130 Turn around for a moment. 132 00:16:54,390 --> 00:16:56,470 Still? But why? Yes, you are standing. 133 00:16:56,910 --> 00:17:00,330 An hour lying down and now an hour in feet. And you lie down. 134 00:17:01,190 --> 00:17:02,190 Okay? 135 00:17:31,270 --> 00:17:34,130 This time I paint you with my eyes blue. 136 00:17:37,650 --> 00:17:39,730 Just you, look, blue one. 137 00:17:42,350 --> 00:17:44,650 Do you want to stop? Do you want to finish it? 138 00:17:48,790 --> 00:17:50,870 Hey, are you going to stop or not? 139 00:17:51,320 --> 00:17:54,380 I have to finish this painting. How much How long do I have to take? 140 00:17:56,580 --> 00:17:59,360 Hey, they don't even shit on me. 141 00:18:00,220 --> 00:18:04,360 Look out if someone like me has to stay here to fight with some dirtbags. 142 00:18:10,380 --> 00:18:11,600 You like it, huh? 143 00:18:12,140 --> 00:18:13,640 You're such a pig. 144 00:18:15,120 --> 00:18:19,180 I understand you don't come here for art. Come to fuck, not for 145 00:18:19,180 --> 00:18:20,180 'art. 146 00:18:20,720 --> 00:18:22,440 All right, do it yourself. 147 00:18:28,360 --> 00:18:29,360 Ass and tits. 148 00:18:29,660 --> 00:18:30,720 Yes, like this, like this. 149 00:18:37,600 --> 00:18:38,600 Yes, 150 00:18:40,560 --> 00:18:41,560 yes, good, good. 151 00:18:42,340 --> 00:18:43,340 Make her enjoy it. 152 00:18:46,260 --> 00:18:47,260 Courage. 153 00:18:49,140 --> 00:18:50,140 Okay. 154 00:19:01,399 --> 00:19:04,140 Well. Yes, let me see. 155 00:19:04,600 --> 00:19:06,800 Here. Here you are. 156 00:19:08,980 --> 00:19:09,980 Perfect. 157 00:19:24,210 --> 00:19:28,130 In fact, the painter addresses himself to the opportunity to use sex for 158 00:19:28,130 --> 00:19:29,310 express his arts. 159 00:20:02,840 --> 00:20:03,840 Yes. 160 00:20:05,140 --> 00:20:06,140 Yes. 161 00:20:09,540 --> 00:20:10,540 Yes. 162 00:20:11,060 --> 00:20:13,080 Yes. Yes. 163 00:20:13,460 --> 00:20:15,800 Yes. Come on, let me feel your throat. Come on. 164 00:20:16,000 --> 00:20:17,000 Come on. 165 00:20:17,760 --> 00:20:18,760 Yes. 166 00:20:37,520 --> 00:20:39,080 What is good! 167 00:22:04,840 --> 00:22:07,440 Damn, these guys are fucking. I don't I can more. 168 00:22:07,960 --> 00:22:09,540 Nothing can be done. 169 00:22:09,840 --> 00:22:14,140 So if you have to fuck, let's fuck how I say. What the fuck. 170 00:22:19,420 --> 00:22:20,820 We'll put this here. 171 00:22:24,260 --> 00:22:25,600 So, do you want to fuck? 172 00:22:29,300 --> 00:22:30,380 Now let's fuck. 173 00:23:04,750 --> 00:23:05,750 Yes 174 00:24:10,069 --> 00:24:16,370 fuck here I can't leave you here just a minute, oh yes, 175 00:24:16,490 --> 00:24:17,530 oh yes. 176 00:24:38,130 --> 00:24:41,670 Oh yes, oh yes, oh yes. 177 00:24:42,010 --> 00:24:43,010 Like this. 178 00:24:45,390 --> 00:24:48,410 How wonderful. 179 00:24:48,910 --> 00:24:49,910 Yes, yes, yes. 180 00:24:59,670 --> 00:25:00,670 Yes, yes, yes. 181 00:25:01,870 --> 00:25:02,870 Good. 182 00:25:48,510 --> 00:25:51,210 You like the master's brush, huh? 183 00:25:55,710 --> 00:25:57,630 So get it if you like it. 184 00:26:24,300 --> 00:26:26,240 Inspiration came to me. 185 00:26:27,280 --> 00:26:28,580 Yes, like that. 186 00:26:29,920 --> 00:26:31,960 Yes, yes. 187 00:26:32,520 --> 00:26:34,840 How beautiful, yes. Stop. 188 00:26:35,180 --> 00:26:36,920 Sure, you're the model. 189 00:26:40,100 --> 00:26:41,100 Here you are. 190 00:26:41,780 --> 00:26:42,780 Here you are. 191 00:26:53,610 --> 00:26:57,570 Stop, stop. Here you are. 192 00:26:58,390 --> 00:27:01,050 Ah, how wonderful. 193 00:27:06,830 --> 00:27:08,230 Thank you. 194 00:27:23,580 --> 00:27:25,320 You fuck and I paint. 195 00:27:26,580 --> 00:27:29,380 Like that. Yes, you fuck and I paint. 196 00:27:32,040 --> 00:27:33,800 Here, I also sign my signature. 197 00:27:38,480 --> 00:27:39,480 Like this. 198 00:27:55,320 --> 00:27:56,320 Yes, 199 00:27:56,620 --> 00:28:00,500 yes, yes, yes, yes, suck in the dick! Yes, yes! 200 00:28:38,570 --> 00:28:40,610 Yes, all blue I want you. 201 00:28:41,250 --> 00:28:43,930 Yes, all this blue ass. 202 00:28:47,790 --> 00:28:50,170 Yes, here it is. 203 00:28:53,010 --> 00:28:55,590 This is art, what do you know? 204 00:28:59,170 --> 00:29:00,450 This is art. 205 00:29:16,460 --> 00:29:20,020 Where is the journalist? Oh, there journalist. What the fuck did you do to her 206 00:29:20,020 --> 00:29:21,960 to the journalist? She left. 207 00:29:22,300 --> 00:29:23,660 Then suck it here. 208 00:29:24,160 --> 00:29:25,160 Suck. 209 00:29:26,700 --> 00:29:27,940 Suck it. Come on, come on. 210 00:29:28,200 --> 00:29:29,200 Come on, come on. 211 00:29:35,220 --> 00:29:36,220 Come on, courage. 212 00:30:44,410 --> 00:30:45,750 Come on, let's go. 213 00:30:46,950 --> 00:30:47,950 I like her. 214 00:30:56,590 --> 00:30:58,210 Yes, come on. Come on, come on. 215 00:31:32,970 --> 00:31:34,190 Now I enjoy it. 216 00:31:50,450 --> 00:31:51,510 You're like this. 217 00:31:53,030 --> 00:31:54,570 Stop like that. 218 00:32:13,929 --> 00:32:15,870 Huh? These are paintings. Huh? 219 00:32:16,350 --> 00:32:17,350 What do you say? 220 00:32:18,230 --> 00:32:21,870 That's done with the ass. And in fact, this is really done with the ass. 221 00:32:21,870 --> 00:32:24,310 This is done with boobs. This is it done with your back. 222 00:32:24,610 --> 00:32:27,590 This is done with your ass. You want some one too? 223 00:32:27,830 --> 00:32:29,450 No, I can't do it anymore. 224 00:32:29,930 --> 00:32:31,310 Let's do one with the dick. 225 00:32:31,610 --> 00:32:32,610 Huh? 226 00:32:34,450 --> 00:32:36,530 My God, what a day today was. 227 00:32:38,290 --> 00:32:39,510 We'll see what happens tomorrow. 228 00:32:46,700 --> 00:32:47,960 Good morning. Good morning. 229 00:32:48,160 --> 00:32:49,320 Mr. Mandri? 230 00:32:49,600 --> 00:32:50,660 No, it's not me. 231 00:32:51,040 --> 00:32:52,040 Who is she? 232 00:32:53,980 --> 00:32:56,460 Luna kept on with her interviews. 233 00:32:58,380 --> 00:33:02,500 Now is the time to see Mr. Mandri, but he is not in. 234 00:33:02,720 --> 00:33:06,400 So, she leaves her telephone number in order to be called back. 235 00:33:07,420 --> 00:33:08,420 I understand. 236 00:33:08,780 --> 00:33:13,500 Wait, if anything you can leave me yours delivery. As Mr. Mandri returns, 237 00:33:13,500 --> 00:33:14,359 I'll call her. 238 00:33:14,360 --> 00:33:15,680 Okay, tell me. 239 00:33:16,550 --> 00:33:23,350 So my phone number is 012345. 240 00:33:23,850 --> 00:33:28,330 Okay, I'll call you when come back. Perfect. Well, agreed. 241 00:33:28,330 --> 00:33:29,410 Thanks, goodbye. 242 00:33:29,710 --> 00:33:30,710 Until we meet again. 243 00:34:59,660 --> 00:35:03,840 oh oh oh 244 00:35:42,800 --> 00:35:45,080 Oh, oh, oh. 245 00:37:10,590 --> 00:37:12,270 Well done guys, what are you doing? 246 00:37:12,550 --> 00:37:15,570 Hey, well, nothing, what I see. 247 00:37:16,050 --> 00:37:17,330 Let's turn up the pressure a little. 248 00:37:18,310 --> 00:37:19,310 Do well. 249 00:37:19,470 --> 00:37:20,990 I don't feel like working today. 250 00:37:23,210 --> 00:37:27,050 Here is Mr. Mondry. He is ready to attend the party. 251 00:37:32,110 --> 00:37:34,830 Also this, dear friends, can be called art. 252 00:37:35,210 --> 00:37:36,730 The art of sex. 253 00:37:37,750 --> 00:37:40,960 Surely. This is the best way to pass the time. 254 00:37:56,120 --> 00:37:57,120 Like this. 255 00:38:00,380 --> 00:38:01,380 So, master? 256 00:38:03,340 --> 00:38:05,380 It's almost ready. 257 00:41:26,990 --> 00:41:27,990 Yes. 258 00:43:42,410 --> 00:43:43,410 Oh... 259 00:44:35,180 --> 00:44:36,180 Thanks. 260 00:46:05,310 --> 00:46:06,710 Yes. 261 00:47:04,590 --> 00:47:06,290 Yes, yes. 262 00:47:10,910 --> 00:47:12,190 Yes. 263 00:49:03,180 --> 00:49:04,180 Ah! Ah! Ah! 264 00:49:47,120 --> 00:49:48,120 Yes, ready? 265 00:49:48,860 --> 00:49:49,860 Yes. 266 00:49:50,600 --> 00:49:52,120 Yes, yes, I remember who she is. 267 00:49:52,620 --> 00:49:55,860 Yes, the model that... Yes, the Stan Mandry, yes. 268 00:49:56,280 --> 00:49:57,280 Has it arrived? 269 00:50:06,240 --> 00:50:08,700 Perfect, time to change then I'll be right there. 270 00:50:09,480 --> 00:50:10,760 Okay, thanks. 271 00:50:11,200 --> 00:50:12,200 Goodbye, goodbye. 272 00:50:56,720 --> 00:50:57,720 Ciao. 273 00:50:59,880 --> 00:51:02,780 I came here to interview Mr. Continent. 274 00:51:03,120 --> 00:51:09,900 As soon as she arrives at the painter's house, she 275 00:51:09,900 --> 00:51:11,380 knows that he is not in. 276 00:51:12,140 --> 00:51:14,080 But someone else is there. 277 00:51:15,620 --> 00:51:16,620 Who will be? 278 00:51:16,960 --> 00:51:20,100 Oh, it's the model. The one she met before. 279 00:51:21,920 --> 00:51:26,460 He was very impressed by the young woman since the very first time he saw her. 280 00:51:26,980 --> 00:51:32,740 And from that day when it's in mind, the only thing he wants is to love her. 281 00:58:50,319 --> 00:58:51,720 Yes 282 00:59:29,610 --> 00:59:30,610 Thank you. 283 01:00:52,620 --> 01:00:53,198 So, Mr. 284 01:00:53,200 --> 01:00:56,160 Mandry, that was it an experience. 285 01:00:56,360 --> 01:00:57,360 That's it. 286 01:00:57,940 --> 01:01:00,200 I'm just a true artist. 287 01:01:05,800 --> 01:01:07,700 Take off your underwear for a second. 288 01:01:08,860 --> 01:01:10,580 That I can't... 289 01:01:10,580 --> 01:01:17,420 Here, you see, 290 01:01:17,540 --> 01:01:18,700 I was already wrong. 291 01:01:24,370 --> 01:01:26,090 Open. Here, fantastic. 292 01:01:27,130 --> 01:01:28,130 Fantastic. 293 01:01:28,870 --> 01:01:29,870 Eyes. 294 01:01:36,330 --> 01:01:38,330 Instead the breasts are as I imagined, see? 295 01:01:39,450 --> 01:01:40,450 Here we are. 296 01:01:40,590 --> 01:01:41,590 Do you recognize yourself? 297 01:01:42,050 --> 01:01:43,050 Do you see yourself? 298 01:01:44,250 --> 01:01:45,250 You are like that. 299 01:01:45,830 --> 01:01:49,130 This is your breast. Yes, your breasts. 300 01:01:51,410 --> 01:01:52,410 This is your nature. 301 01:01:54,830 --> 01:01:55,890 Here, do you see the tone? 302 01:02:05,950 --> 01:02:07,310 Your hair. 303 01:02:15,890 --> 01:02:20,790 In the meantime, Mr. Mondry is inspired by a young blonde model. 304 01:02:21,440 --> 01:02:25,960 Man are hopelessly attracted by the young flesh of a woman that shows 305 01:02:25,960 --> 01:02:31,200 inexperience. So, Mr. Mandry, send the art to the hill and up with sex. 306 01:03:20,680 --> 01:03:24,020 oh oh oh oh 307 01:03:59,640 --> 01:04:01,120 We are to be a right I. 308 01:04:03,940 --> 01:04:04,940 See if it's you. 309 01:04:06,280 --> 01:04:07,280 We are a just one. 310 01:04:33,390 --> 01:04:34,390 Yes 311 01:05:49,759 --> 01:05:50,759 Well done, dear Rick. 312 01:06:56,680 --> 01:06:57,680 Is anyone there? 313 01:07:00,340 --> 01:07:02,880 Is anyone there? 314 01:08:42,309 --> 01:08:44,210 There's absolutely no mention of it of the interview. 315 01:08:58,189 --> 01:08:59,189 But come in. 316 01:09:52,880 --> 01:09:53,880 What does it look like to you? 317 01:09:55,240 --> 01:09:56,380 I do not know. 318 01:09:58,640 --> 01:10:00,080 What color do you like? 319 01:10:00,580 --> 01:10:01,580 The blue. 320 01:10:05,080 --> 01:10:06,260 Let's put some blue. 321 01:10:09,120 --> 01:10:09,800 You have 322 01:10:09,800 --> 01:10:17,220 never 323 01:10:17,220 --> 01:10:18,340 seen composing colors? 324 01:10:18,640 --> 01:10:19,640 No. 325 01:10:25,800 --> 01:10:27,640 The colors can also be bought. 326 01:10:31,500 --> 01:10:33,480 Or, compose. 327 01:10:34,940 --> 01:10:35,940 With egg? 328 01:10:36,240 --> 01:10:37,280 Of course, with the egg. 329 01:10:38,480 --> 01:10:42,140 If you are a journalist in the sector, it is Is it possible that you didn't study anything? 330 01:10:42,560 --> 01:10:45,520 Yes, I've seen many techniques, but this one I didn't know it. 331 01:10:47,340 --> 01:10:48,940 Because with the egg... The egg is the story. 332 01:10:49,280 --> 01:10:51,120 The egg is the story of color. 333 01:10:57,650 --> 01:10:58,650 Here's the blue. 334 01:11:11,530 --> 01:11:13,770 How many years have you been using this technique? 335 01:11:16,470 --> 01:11:17,590 For many years. 336 01:11:18,670 --> 01:11:20,470 I find something strange about you. 337 01:11:21,410 --> 01:11:26,510 No, I'm amazed. You are not the person what it looks like. 338 01:11:27,400 --> 01:11:30,840 Luna seems like an intriguing person to eyes of the painter. 339 01:11:33,600 --> 01:11:35,640 He wants me to be his role model. 340 01:11:37,020 --> 01:11:42,780 In his opinion, she is so strange and charming at the same time. 341 01:11:53,060 --> 01:11:55,060 This is getting very interesting. 342 01:11:56,339 --> 01:11:57,600 You're starting to like it. 343 01:11:57,980 --> 01:11:58,980 Yes. 344 01:12:07,700 --> 01:12:09,920 Do you like the body of the color? 345 01:12:10,440 --> 01:12:12,780 Yes. Try sitting here and watching it. 346 01:12:13,040 --> 01:12:14,280 It has another aspect. 347 01:12:14,640 --> 01:12:15,640 You come. 348 01:12:45,490 --> 01:12:47,830 Do you see how he looks like this again? Yes. 349 01:12:52,550 --> 01:12:54,910 Would you please come here? 350 01:12:55,230 --> 01:12:56,830 Here? Yes. 351 01:12:59,390 --> 01:13:02,570 There's something about your face that inspires me. 352 01:13:04,290 --> 01:13:06,130 Of course you can't see anything. 353 01:13:06,510 --> 01:13:07,670 I do not understand. 354 01:13:09,150 --> 01:13:11,450 I asked you first to model for me. 355 01:13:13,210 --> 01:13:14,210 And... 356 01:13:16,780 --> 01:13:18,620 You have to allow me a fantasy. 357 01:13:21,980 --> 01:13:22,980 Excuse me. 358 01:13:30,460 --> 01:13:32,180 And that is? 359 01:13:34,560 --> 01:13:37,100 I find inspiration in you. 360 01:13:37,700 --> 01:13:38,880 In your face. 361 01:13:39,620 --> 01:13:40,940 In your hands. 362 01:13:41,920 --> 01:13:43,660 But also in your body. 363 01:14:05,230 --> 01:14:07,090 Luna is trying to pose like a model. 364 01:14:08,910 --> 01:14:14,070 Her body is so sexy that the painter he couldn't resist, becoming more and 365 01:14:14,070 --> 01:14:15,070 more confident. 366 01:14:15,590 --> 01:14:19,130 The two became very close friends intimate. 367 01:14:47,630 --> 01:14:50,370 I like to look at your face and watch my painting. 368 01:14:54,790 --> 01:14:57,870 Touch me. With both hands. 369 01:14:59,630 --> 01:15:00,630 Like this. 370 01:15:01,310 --> 01:15:02,490 Yes, like that. 371 01:15:30,410 --> 01:15:31,410 Yes, like that. 372 01:15:43,970 --> 01:15:45,590 Well done, like you have two hands. 373 01:16:17,320 --> 01:16:18,320 Thanks 374 01:17:25,290 --> 01:17:30,050 Yes, yes, yes, yes, yes, yes, 375 01:17:30,770 --> 01:17:31,770 yes, yes. 376 01:17:50,350 --> 01:17:51,350 mmm 377 01:18:27,920 --> 01:18:29,160 How wonderful. 378 01:18:29,700 --> 01:18:31,680 Good, very good. 379 01:19:19,440 --> 01:19:22,240 Yes Yes 380 01:19:50,280 --> 01:19:54,100 I'll have it all. Yes, yes. 381 01:20:28,560 --> 01:20:30,120 I want to fuck you on the table. 382 01:20:58,410 --> 01:20:59,410 Clodaccia. 383 01:21:58,500 --> 01:22:00,560 yes, yes 384 01:22:28,940 --> 01:22:30,160 Inside, inside. 385 01:22:34,820 --> 01:22:35,820 Yes, 386 01:22:36,520 --> 01:22:37,520 yes. 387 01:22:38,400 --> 01:22:42,240 Get your ass opened up. Facts break through. 388 01:23:21,280 --> 01:23:22,680 Yes, 389 01:23:24,200 --> 01:23:25,200 yes 390 01:23:44,430 --> 01:23:46,290 Yes, yes. 391 01:23:50,090 --> 01:23:51,490 Come on, 392 01:23:52,650 --> 01:23:57,230 ride. Ride, Peccola, come on. 393 01:24:05,110 --> 01:24:06,510 Yes. 394 01:24:26,570 --> 01:24:30,730 Come on, thanks. Up, up, and down. Ah, 395 01:24:33,930 --> 01:24:36,130 thanks. 396 01:24:36,910 --> 01:24:38,070 Thank you, thank you. 397 01:25:14,700 --> 01:25:15,700 Come on, 398 01:25:16,400 --> 01:25:20,200 come on, come on, yes, yes, 399 01:25:21,180 --> 01:25:22,180 yes, yes. 400 01:25:46,000 --> 01:25:47,120 Rebuilding my ass. 401 01:25:48,360 --> 01:25:49,360 By rebuilding. 402 01:26:16,170 --> 01:26:17,170 Oh! 403 01:27:21,440 --> 01:27:23,620 Let's see what this one does. 404 01:27:27,160 --> 01:27:28,160 Hello, Luna. 405 01:27:28,620 --> 01:27:33,240 But excuse me for a moment, we had to meet yesterday. That item is either ready or it isn't 406 01:27:33,240 --> 01:27:34,240 ready? 407 01:27:34,500 --> 01:27:36,140 But I really need it. 408 01:27:36,480 --> 01:27:39,920 I have to have it for tomorrow, I have it absolutely need it, but we are 409 01:27:39,920 --> 01:27:40,920 joking. 410 01:27:41,180 --> 01:27:42,560 You don't give a damn. 411 01:27:42,920 --> 01:27:45,400 But you don't care anymore what? About your work? 412 01:27:45,850 --> 01:27:47,550 You want to throw away five years of work? 413 01:27:47,930 --> 01:27:49,210 Look, I'll fire you, huh? 414 01:27:49,530 --> 01:27:54,390 But... are you joking or... or are you serious? What should I do with you? 415 01:27:55,510 --> 01:27:57,010 Ok, I'm bored. 416 01:28:02,230 --> 01:28:02,710 But 417 01:28:02,710 --> 01:28:13,410 look 418 01:28:13,410 --> 01:28:14,410 what a stuff. 419 01:28:14,490 --> 01:28:18,830 Moon? Doesn't give him the article and apart from this she disappeared. 420 01:28:22,830 --> 01:28:27,130 So, he decided to make up the time he wasted looking for Luna. 421 01:28:27,510 --> 01:28:31,610 He has to think about his magazine. 422 01:28:31,810 --> 01:28:34,810 Now, it's necessary to place another article. 423 01:28:35,690 --> 01:28:38,170 Maybe that one regarding the transsexual. 424 01:28:38,410 --> 01:28:40,250 Yes, it could be a good idea. 425 01:28:43,710 --> 01:28:44,710 Yes, 426 01:28:47,970 --> 01:28:49,310 okay, I greet you. 427 01:28:52,290 --> 01:28:55,390 Ah, the patience that goes into this work.